My proposal aims to break paradigms on virtual reality, to push its limits to a maximum, to trigger new challenges for stereography.  We don’t know exactly what happens in our brains when we see something 3-D on an irregular plane, when we become instruments for art. Perhaps one would have to search for the key to that mystery in one's heart. For in any case, it has been human curiosity that has made the stereogram into the urban phenomenon it is today, urging me to the study of virtual reality, presenting handcrafted stereograms as true virtual nature.

The viewer is not a passive recipient of the artwork; it is an active decoder that uses his brain and vision as living tools that transfer his consciousness to an alternate reality. The beauty of stereograms does not lie in the faithful reproduction of reality, but in the sensation of happiness one experiences in being able to make sense of the 3-D information contained in a textured surface showing apparently nothing else.